The Son

Jan 24, 2018 — Wildlife, an adaptation of Richard Ford’s 1990 novel, “finds Paul Dano transporting his usual reserve as a performer (bellowing country preachers excepted) from one side of the camera to the other,” writes the A.V. Club’s A. A. Dowd. “Set in...

Nov 28, 2017 — Ahead of the Christmas Day opening, preview screenings of Paul Thomas Anderson’s Phantom Thread in New York and Los Angeles began over the weekend and will continue through Thursday. Variety’s Kristopher Tapley suggests that “if you define a film as...

Oct 17, 2017 — In this lavishly mounted epic, Stanley Kubrick captures the ghostly ephemerality of a vanishing world with paradoxical immediacy.

Oct 9, 2017 — “Jeanne (Esther Garrel) crouches in an alleyway at night, her face a fountain of tears,” begins Carson Lund at Slant. “She’s just been dumped by Matéo (Paul Toucang) and kicked out of their shared Paris apartment. Seeking refuge, she walks...

Sep 5, 2017 — Writing for Screen, Jonathan Romney takes on the latest film by Stephen Frears: “Judi Dench as a weary Queen Victoria whose joie de vivre is restored by the tender attentions of a devoted servant. . . . Yes indeed, we...

Aug 10, 2017 — Ian Buruma, who’ll become the new editor of the New York Review of Books next month, has a piece in the new issue on The Memory of Justice, “the four-and-a-half-hour documentary that has rarely been seen since 1976 but is...

Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.

Nov 15, 2016 — Harrod Blank shared a few words in remembrance of legendary singer-songwriter Leon Russell, the subject of his father Les Blank’s film A Poem Is a Naked Person.

Jun 24, 2014 — One of the most important contributions Peter Davis’s Hearts and Minds makes to our national dialogue on the Vietnam War is its portrayal of ordinary Vietnamese. For years, the Vietnamese had been conspicuous by their absence in American film and...

Aug 7, 2013 — In 1958, in the midst of his most fecund cinematic period, Yasujiro Ozu made his first color film, the splendid Equinox Flower. Like so many of Ozu’s films, this poignant drama is about the subtly difficult emotional landscape navigated by...