The Criterion Collection
May 23, 2012 — Iranian master director Abbas Kiarostami voyaged to Italy to make a film that questions love, relationships, and Western art cinema.
Features
May 19, 2011 — If you build it, they won’t necessarily come. This is the deflating conventional wisdom among art-house and repertory theater owners today. Which is why the success of Film Streams, at the Ruth Sokolof Theater in Omaha, Nebraska, is such a thrill...
Essays
Apr 18, 2011 — An Eagle for an Emperor, a Gyrfalcon for a King; a Peregrine for a Prince, a Saker for a Knight, a Merlin for a Lady; a Goshawk for a Yeoman, a Sparrowhawk for a Priest, a Musket...
Feb 23, 2010 — Like many other French cinephiles, I discovered Make Way for Tomorrow relatively late, although we had been interested in Leo McCarey for years. We had hunted down his Laurel and Hardy pictures, adored Duck Soup, the best of the Marx...
Mar 22, 1993 — Elizabethan prodigal prodigy Christopher Marlowe, whose tantalizingly brief life ended in political assassination, wrote a history play, in the mid-1590s, about the 1327 political assassinations of England’s Edward II and his lover and boyhood friend, Piers Gaveston. Rarely performed, Edward...
Jan 28, 2021 — Deep Dives Domestic work offers both an agonizing ennui and the satisfaction of a necessary task being completed. In the 1981 documentary Clotheslines, filmmaker Roberta Cantow mines these two moods, as well as the subtler emotions that fill the distance...
The Daily
Jul 24, 2023 — One of the UK’s great celebrations of classic cinema opens in Bristol on Wednesday and runs through the weekend.
The Daily
Nov 26, 2019 — A smart and lively adaptation of a 150-year-old classic is warmly greeted in the first round of reviews.
Jul 29, 2014 — The writer and director is inspired by Lawrence Kasdan’s classic comic drama to consider the joys and disappointments of the baby boomer generation that begot her.
Essays
Oct 15, 2001 — The music in Benjamin Christensen’s classic constantly refers to something deeper, creating a sort of deep pity in preparation for the ending of the film.