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May 6, 2020 — Once seen, the opening credits of Juraj Herz’s pitch-black satire The Cremator (1969) are not soon forgotten. At the beginning of the handcrafted, collage-style sequence, a still close-up of the protagonist’s head, from the eyes up, takes over the screen,...

Apr 30, 2020 — Check out what’s in store next month on our streaming service!

Apr 22, 2020 — One of the true dark glories of the Czechoslovak New Wave, The Cremator (Spalovač mrtvol, 1969) is the most popular and indelible work by the underappreciated Juraj Herz and remained a firm favorite of the director’s among his many films....

Apr 9, 2020 — The San Francisco–based creative team Century, cofounded by Jason Hardy and Steve Knodel, is no stranger to working with Criterion, having designed our Ingmar Bergman’s Cinema set, as well as the current form of this very website. The latest of...

Apr 3, 2020 — Conversations with Frederick Wiseman and Quentin Tarantino and rediscoveries of forgotten critics and an Arab filmmaker are among this week’s highlights.

Apr 2, 2020 — Artforum and Bookforum join Filmmaker and Film Quarterly in offering free access to their latest issues.

Mar 31, 2020 — The Prince of Tides (1991) is the high-water mark in a long and distinguished career in cinema. From the phenomenally successful 1968 musical Funny Girl through her meticulous 1983 rendering of Yentl, Barbra Streisand had earned her place among the most respected artists in...

Mar 27, 2020 — The cost to the Soviet population due to the war with Germany from 1941 to 1945 has not been definitively established; the best-circulated estimate, about twenty-seven million, is thought by some scholars to be low by many millions. Under Joseph...

Mar 11, 2020 — One Scene With his Oscar-nominated debut feature, Beasts of the Southern Wild, director Benh Zeitlin brought to the screen a vision of Louisiana that combined the unique flavors and textures of his adopted home state with the magical twists and...

Mar 10, 2020 — In the fall of 1966, an unusual proposal reached the desk of Melbourne I. Feltman, vice president of Consolidated Book Publishers in Chicago. In a letter dated October 24, sent from the Maysles Films office in Midtown Manhattan, David Maysles...