Nov 17, 2017 G rasshopper Film has posted Ted Fendt’s essay on Moses and Aaron (1974), Jean-Marie Straub and Danièle Huillet’s adaptation of Arnold Schoenberg’s unfinished opera: “Straub and Huillet’s brilliance—and a fundamental aspect of their method of adaptation—is to allow the contradictions...

Nov 14, 2017 Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.

Nov 13, 2017 Two of the most lucrative franchises in the history of franchises are being revamped, one for theaters, the other for home screens. “Star Wars: The Last Jedi writer-director Rian Johnson [above] has been set by Disney and Lucasfilm to write...

Nov 9, 2017 Big Theater Tomorrow night, the Brattle Theatre in Cambridge, Massachusetts, will spool up a 35 mm print of Max Ophuls’s The Earrings of Madame de . . . (1953), a film selected by Mad Men creator Matthew Weiner, who will...

Nov 7, 2017 A haughty socialite is torn between the affections of three men in George Cukor’s blissful comedy of manners.

Nov 5, 2017 New York. “It’s probably pure coincidence that BAM is presenting a week of Sam Shepard films right as the Metrograph screens five days of Dennis Hopper–directed titles,” writes Bilge Ebiri. “No two actors of their generation better expressed the modern...

Oct 31, 2017 In the latest entry in Reverse Shot’s symposium on time, Julien Allen proposes that “perhaps the most compelling display of Hitchcock’s bravura in Psycho [1960] occurs during one of its least discussed sequences, in which Norman Bates (Anthony Perkins) cleans...

Oct 27, 2017 New York. Hank and Jim, running at Film Forum from today through November 16, is a companion series to Scott Eyman’s new book, Hank and Jim: The Fifty-Year Friendship of Henry Fonda and James Stewart. Today “offers back-to-back Hitchcock movies,”...

Oct 20, 2017 The Oscar-nominated director of The Right Stuff talks about some of his formative cinematic experiences in the latest episode of Adventures in Moviegoing.

Oct 11, 2017 The shower scene in Psycho remains one of the most iconic scenes in film history. Alexandre O. Philippe, director of the new documentary 78/52,explains why it touched a nerve with audiences.

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