The Criterion Collection
Oct 25, 2019 — It was a very long road to theaters for the Oscar-winning documentary When We Were Kings, a rousing record of a legendary boxing match, and a testament to the infectious energy, sly humor, and strong social conscience of Muhammad Ali....
Oct 22, 2019 — Muhammad Ali was thirty-two years old when he arrived in Kinshasa, Zaire, in 1974 to fight for the heavyweight championship of the world. Thirty-two is not prohibitively old for a boxer in the heavyweight division. (As I type, the most...
Essays
Oct 15, 2019 — Born in Denmark to a wealthy family in 1879, Benjamin Christensen dropped out of medical school to receive training as an opera singer, only to lose his singing voice to what was diagnosed as an incurable nervous illness. He then...
On the Channel
Oct 9, 2019 — The Internet’s hardcore feline obsession may seem harmless, but is there something darker at play behind the millions of memes and GIFs it generates, or the eager crowds who gather to meet online animal celebrities like Grumpy Cat (R.I.P.)? In...
The Daily
Oct 4, 2019 — Artists’ and amateurs’ videos, Ida Lupino, and TIFF Cinematheque programmers’ notes all figure in this week’s round.
Features
Oct 3, 2019 — By the time Charlie Chaplin was making The Circus, from 1925 into 1928, his production company was a smooth-running organization. Numerous problems plagued the comic during the shoot—scratches on the first month of rushes, a fire that damaged the studio...
The Daily
Oct 2, 2019 — Armando Iannucci’s The Personal History of David Copperfield opens this year’s bounteous edition.
On the Channel
Sep 30, 2019 — One of contemporary world cinema’s most exciting filmmakers, Christian Petzold has, over the past two decades, built up a spellbinding body of work that grapples with his native Germany’s turbulent recent history, and its traumatic aftershocks. Now on the Criterion...
The Daily
Sep 11, 2019 — Following his landmark collection of photographs, The Americans, Frank made essential films about the Beats, the Stones, and his own personal tragedies.
Sep 10, 2019 — In this landmark melodrama, director Ritwik Ghatak channeled his grief over the destruction of his beloved homeland, Bengal, in the wake of the Partition of India.