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Ever Since We Love

November Books

The Daily

Nov 14, 2018 The history of Hollywood is the focus of this round, but its reach also extends well beyond.

Three Journeys

The Daily

Oct 2, 2018 The past weighs heavily on the present in Long Day’s Journey into Night, Ash Is Purest White, and A Family Tour.

Jul 16, 2018 The legendary baseball writer talks about the no-nonsense pleasures of one of the all-time great sports movies and the classic essay he wrote about it.

Apr 18, 2018 This morning, the Cannes Film Festival posted an announcement listing eleven new films that had been added to this year’s lineup. Then the announcement was yanked. Radio silence for hours. Now the announcement’s back up again. So let’s have a...

Apr 14, 2018 La Repubblica’s Alessandra Vitali is among the many Italian journalists reporting on today’s passing of Vittorio Taviani at the age of eighty-eight. In 2013, Ryan Gilbey, writing for the Guardian, declared that Taviani and his brother, Paolo, eighty-six, “are among...

Nov 7, 2017 “Many aspects of time, from the dry precision of date and hour to the flights of remembrance and regret, are distilled in a single scene from Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943),” writes...

Sep 26, 2017 This collection of excerpts from interviews with Stan Brakhage illuminates the evolution of his philosophy of film through his career.

Sep 4, 2017 “Some films have a heat that makes you shrink from the cinema screen,” begins the Telegraph’s Robbie Collin, “After this morning’s screening of Three Billboards Outside Ebbing, Missouri, I had to check my eyebrows were still intact. The British-Irish director...

Jul 17, 2017 We begin this round in the UK because, starting Friday, Park Circus is putting Basil Dearden’s Victim (1961) back in theaters, “marking 50 years since the Sexual Offences Act 1967 initiated a major development of the country's human rights legislation...

Jan 23, 2017 In his radical debut feature, Ousmane Sembène reveals the agony of the postcolonial experience through the story of a Senegalese migrant abused by her French employers.

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