The Criterion Collection
Essays
May 27, 2020 — “A filmmaker shows what his career will be in his first 150 feet of film,” François Truffaut once wrote. He was talking about Jean Vigo at the time, but he might as well have been talking about Martin Scorsese, whose...
Aug 14, 2019 — There is a scene in Henry King’s State Fair (1933) that ranks among the most poetic moments in all of 1930s American cinema. There is not much to it, just a family driving through the dusk in their rattling pickup...
May 2, 2019 — When I first saw My Brilliant Career, when it was released in New York in 1980, I was ignorant of director “Gill” Armstrong. I assumed she was a man, because at the time I could count the female directors I...
Sep 3, 2007 — As the opening credits for Night on Earth begin to roll, we are informed that the film is a Locus Solus Production. A curious name, no doubt unfamiliar to most people, but one that reveals a great deal about Jim...
The Daily
Dec 18, 2025 — Checking in on lists of the best films, performances, scenes, scores, restorations, and more.
The Daily
Oct 30, 2025 — The Portuguese filmmaker is on an informal tour of the U.S, presenting and discussing her work and influences.
The Daily
Oct 11, 2023 — The shock of Davies’s passing is compounded by the sinking realization that cinema has lost one of its most singular artists.
Jan 10, 2023 — In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.
Jun 25, 2018 — It’s been six weeks since the Ukrainian filmmaker began his hunger strike.
Short Takes
Sep 25, 2017 — Highlights from this year’s stellar Toronto International Film Festival lineup echoed a handful of classics from our collection.