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Don’t Shoot

Where Were We?

The Daily

May 17, 2017 Welcome to the first entry of the Daily at the Criterion Collection. For those of you who don’t know me, since 2003 I’ve been gathering links to essential—or simply fun—reading, news stories, and items of interest into a sort of...

Apr 27, 2017 In his latest film, director Daniel Raim explores the legacy of two Hollywood veterans whose highly influential six-decade career has long gone unsung.

Apr 10, 2017 An exhibition at New York’s Museum of the Moving Image explores Martin Scorsese’s creative process, his deep personal connection to his films, and his lifelong cinephilia.

Mar 12, 2017 With his new film Personal Shopper now in theaters, we’re sharing a conversation we had with the acclaimed French filmmaker during his visit to the Criterion office last October.

Feb 23, 2017 The week before Get Out opened to groundbreaking box-office success, we spoke with the director about the fine line between comedy and horror.

Feb 20, 2017 Joan Crawford delivers one of her greatest performances in Michael Curtiz’s unsparing look at class, ambition, and the all-consuming intensity of maternal love.

Jan 30, 2017 Film scholar Shonni Enelow reveals the methods of the Mamet style of acting in this examination of Crouse’s subtly feminist lead performance.

Jan 27, 2017 In a series of tautly constructed marriage dramas, filmmaker Asghar Farhadi has proven himself a remarkable observer of the social, moral, and personal dimensions that shape contemporary Iranian society.

Jan 9, 2017 A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.

Nov 14, 2016 Last week, we were saddened to learn of the passing of Raoul Coutard. Our technical director, Lee Kline, shared some memories of working with the great cinematographer.

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