The Criterion Collection
Mar 23, 2016 — We had come to expect Chantal Akerman’s periodic gifts of small and large cinematic gems. Certain of this flow, we were devastated when, all too abruptly, we were forced to think of her latest film, so beautiful, as her last.
Feb 23, 2016 — Without any overt topical references, Mike Nichols’s The Graduate captured the zeitgeist of the 1960s and the dawning countercultural revolution.
Short Takes
Oct 28, 2015 — For over fifty years, the brilliant composer and conductor Carl Davis has been enriching cinema with his evocative film scores. Although well-known for his silent movie work—he's created orchestrations for the re-releases of films like Harold Lloyd’s Speedy and Charlie...
Short Takes
Oct 14, 2015 — Maharishi University of Management is now accepting applications for its David Lynch MA in Film program.
Sneak Peeks
Sep 25, 2015 — Some months ago, we invited Criterion Facebook fans to submit their questions for director Wes Anderson, six of which he responded to on the commentary track on our release of Moonrise Kingdom. The following clip from the commentary features a...
Short Takes
Sep 2, 2015 — In preparation for our upcoming release of D. A. Pennebaker’s groundbreaking 1967 Bob Dylan documentary Dont Look Back, we recently visited the legendary filmmaker at his home, where he introduced us to an old friend. Photo by Grant Delin That’s...
Short Takes
Aug 26, 2015 — Here’s an item of interest to everybody who feels Bob Dylan’s words are pure gold. Like last year, when Dylan’s original handwritten lyrics for “Like a Rolling Stone” were sold for over two million dollars at Sotheby’s, an original typewritten...
In Theaters
Aug 20, 2015 — Repertory PicksIn 1979, Roman Polanski broke out of the more claustrophobic spaces of his early thrillers like Repulsion, Rosemary’s Baby, and The Tenant with Tess, an exquisitely detailed adaptation of Thomas Hardy’s classic book Tess of the d’Urbervilles, proving his...
Aug 12, 2015 — Director Karel Reisz and writer Harold Pinter’s brilliant adaptation of John Fowles’s novel focuses on the experiences of women in two radically different eras.
Jul 7, 2015 — Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...