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Mar 30, 2022 Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.

Mar 28, 2022 Despite wins to celebrate, the Oscars got off on the wrong foot—and then took a turn for the worse.

Mar 15, 2022 A captivatingly unclassifiable leading man in the 1980s, Hurt often returned to his first passion—the theater.

Mar 15, 2022 The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

Pasolini at 100

The Daily

Mar 3, 2022 Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.

Mar 1, 2022 The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...

Feb 24, 2022 Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.

February Books

The Daily

Feb 22, 2022 Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.

Feb 18, 2022 This week we’re celebrating pioneers of queer cinema and reading about Melville, Menelik Shabazz, Patrick Wang, and Francis Ford Coppola.

Feb 15, 2022 Playful irreverence gives way to tragedy and transcendence in Leo McCarey’s 1939 masterwork, one of the defining romances of the Hollywood studio era.

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