The Criterion Collection
Grady Hendrix is the cofounder of Subway Cinema and the New York Asian Film Festival, as well as the author, most recently, of These Fists Break Bricks: How Kung Fu Movies Swept America and Changed the World (with Chris Poggiali).
Maggie Lee is a curator of Asian cinema and chief Asia film critic for Variety. She has contributed as English editor and translator to the Hong Kong Film Archive’s publications, including The Swordsman and His Jiang Hu: Tsui Hark and...
Larissa Pham is an artist and writer in Brooklyn. She is the author of Fantasian, a novella, and the essay collection Pop Song.
Barry Jenkins is a film director and screenwriter. He directed and cowrote the film Moonlight, which won the Academy Award for Best Picture in 2016. In 2018, he wrote and directed a film adaptation of James Baldwin’s novel If Beale...
Elena Lazic is a French freelance film writer based in London, and the founder and editor of the online film magazine Animus. She has written for Sight & Sound, Little White Lies, MUBI’s Notebook, the Guardian, and Cahiers du cinéma,...
D. A. Miller, who taught for many years at the University of California, Berkeley, is most recently the author of Hidden Hitchcock (University of Chicago Press) and Second Time Around: From Art House to DVD (Columbia University Press).
Laura Kern is a writer, editor, and horror programmer based in New York. Her writing has appeared in publications such as the New York Times, Film Comment, and Rolling Stone.
Lisa B. Thompson is the Patton Professor of African & African Diaspora Studies at the University of Texas at Austin. She is the author of Beyond the Black Lady: Sexuality and the New African American Middle Class, Single Black Female,...
Racquel Gates is an associate professor of film at Columbia University. She is the author of Double Negative: The Black Image and Popular Culture (Duke University Press, 2018) and is currently writing her second book, Blackness and the Invention of...
Sean Gilman is a film critic based in Tacoma, Washington. He has written extensively on East Asian film for MUBI’s Notebook, In Review Online, and his own site, the Chinese Cinema.