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A Misappropriated Turkey

Jan 6, 2015 Kihachi Okamoto's The Sword of Doom is likely to strike the unalerted viewer as an exercise in absurdist violence, tracking the career of a nihilistic swordsman from his gratuitous murder of a defenseless old man to his final descent into...

Jan 5, 2015 Who is Tootsie, anyway?

Dec 18, 2014 Becoming Dorothy Michaels in Tootsie was as much a revelation for Dustin Hoffman as for his character, Michael Dorsey. In this short excerpt from a much longer interview on our new release of Sydney Pollack’s great comedy, the Oscar winner...

Dec 17, 2014 Trenchant in its portrayal of gender dynamics, sophisticated in its look at the actor’s life, and, of course, hilarious, Tootsie is Hollywood comedy at its finest.

Dec 15, 2014 Earlier this year, actor Julianne Moore and director Todd Haynes sat down to have an in-depth conversation for a supplement on our new release of their brilliant 1995 film Safe. Here is moment from their chat that is appearing only...

Dec 11, 2014 The opening installment of Terry Gilliam’s “Trilogy of Imagination” reminds us we’d be better off if we paid more attention to the kid’s-eye view of things.

Dec 11, 2014 Italian director Liliana Cavani’s The Night Porter, about the sadomasochistic bond reignited after World War II between a former Nazi commandant (Dirk Bogarde) and a concentration camp prisoner (Charlotte Rampling)—shocked audiences on its release in 1974 for its eroticism and...

Dec 10, 2014 Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.

Dec 5, 2014 A film about garlic? Only Les Blank could pull it off. In this clip from a new supplement on our release Les Blank: Always for Pleasure, we get the story of how Blank’s pungent documentary Garlic Is as Good as...

Dec 5, 2014 Earlier this week, we had a party for the release of our new book, Criterion Designs, at the Society of Illustrators in New York. Our friend the filmmaker :: kogonada brought the following video, in which Criterion artwork comes to...

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