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May 10, 1993 — Green for Danger is a welcome twist on that most venerable of English concoctions, the drawing-room thriller. In this instance, the drawing room is instead a hospital not far from London, where surgery is conducted under a cascade of German...

Mar 22, 1993 — Elizabethan prodigal prodigy Christopher Marlowe, whose tantalizingly brief life ended in political assassination, wrote a history play, in the mid-1590s, about the 1327 political assassinations of England’s Edward II and his lover and boyhood friend, Piers Gaveston. Rarely performed, Edward...

Mar 11, 1993 — Released the year before Close Encounters of the Third Kind and Star Wars, Nicolas Roeg’s terrestrial space opera is devoid of matte shots, models, or pyrotechnics, and it leaves us not wondering at the stars but grieving for ourselves.

Jan 27, 1993 — In beautifully composed black-and-white and tempered by a gentle and nostalgic choral score, Kon Ichikawa's drama probes deeply into the moral chaos of war.

Jan 5, 1993 — All right, I’ll just say it. Monty Python and the Holy Grail is the most sublimely irreverent, most jaw-droppingly hysterical movie of the last twenty years. How many films, after all, have Knights who say “Ni!,” filth-eating peasants, and 160...

Dec 22, 1992 — With a script by Graham Greene, Carol Reed’s thriller plays upon the classic themes of trust, innocence, betrayal, and truth through the lens of a precocious eight-year-old.

Sep 30, 1992 — The unprecedented popularity of this gender-bending sex farce inspired two sequels, a hit Broadway musical, and at least one transvestite nightclub.

Aug 17, 1992 — Blackmail was Alfred Hitchcock’s tenth picture in England, his second thriller and first British talkie—and it marked an important crossroads in film history. Hitchcock shot the film in 1929 as a silent picture, but when it was ready for silent...

Jul 8, 1992 — Since its first screening in 1960, Jean-Luc Godard’s astonishing debut has lost none of its power to thrill an audience or change the way we see the world.

Jun 16, 1992 — Of the 18 movies made by the filmmaking team of Michael Powell and Emeric Pressburger, none was as personally and artistically fulfilling as The Tales of Hoffmann. This dazzling screen adaptation of the Offenbach opera—a visual, sonic, and sensual delight—marked...