The Watch

Sep 16, 2021 — As the Viennale prepares a retrospective, Toronto premieres what Davies calls “the best film I’ve made.”

Feb 11, 2021 — The body never lies.Instead, it keeps score, with our very gestures and walk and physical eccentricities speaking to the traumas and desires we’d like to keep hidden. But there are some people so aware of this truth, and the power...

Dec 4, 2020 — A landmark week for the industry has us looking back to past periods of tumult and change.

Mar 3, 2020 — Mohammad Rasoulof has won the Berlinale’s Golden Bear, and Eliza Hittman is taking home the grand jury prize.

Dec 27, 2019 — This week’s highlights stretch from the earliest animated shorts through the best of 1929 and 2019 to Godard’s next project.

Oct 18, 2019 — An intriguing paradox lies at the heart of Errol Morris’s body of work: while his films are driven by a relentless pursuit of knowledge and facts, they ultimately reveal cinema’s inability to capture a definitive version of reality. It’s this...

Aug 26, 2019 — In the first twenty-four features he directed, between 1925 and 1939, Alfred Hitchcock —always working closely with his wife Alma Reville (variously credited for assistant direction, screenplay, and continuity)—evolved from apprenticeship to technical mastery to an exuberant flowering that made...

Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.

Jan 24, 2018 — One of the most memorable sequences in the silent classic People on Sunday explores the experience of being photographed and the tension between still and moving images.

Oct 27, 2017 — In the wake of Christopher Nolan’s war epic Dunkirk, one of the most widely celebrated and commercially successful films of the summer, we’re revisiting the filmmaker’s no-less-inventive low-budget beginnings in this week’s Short + Feature, now streaming on the Criterion...