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The Child

Feb 18, 2018 Christian Petzold seems to realize that viewers are going to feel as if they’ll need a few moments to get their bearings in the world of Transit. In one swift and brilliant stroke, he denies us the luxury. Georg (Franz...

Jan 19, 2018 New York. Starting today at MoMA, The Banishment (2007), “the second feature from the Russian director Andrey Zvyagintsev, is finally receiving a run in New York more than ten years after its lead, Konstantin Levronenko, took the best-actor prize at...

Oct 7, 2017 “In just two adaptations,” begins Benedict Seal at Vague Visages, “author Brian Selznick has developed a reputation for inspiring intelligent and magical children’s films. After John Logan adapted The Invention of Hugo Cabaret for Martin Scorsese’s wonderful Hugo, Selznick has...

Sep 30, 2017 “I have seen Zama, and it does indeed have a llama,” announces Cinema Scope editor Mark Peranson in the new issue. “The mysterious circumstances of the film’s long-overdue birth into this world continue with an out-of-competition slot in Venice, an...

Sep 17, 2017 Michael Pearce’s debut feature, Beast, is a “multi-layered, complex account of a fatal attraction between two complicated and fragile souls, Moll (Jessie Buckley) and Pascal (Johnny Flynn),” writes Kaleem Aftab for Cineuropa. “The action takes place on Jersey, where the...

Aug 10, 2017 Ian Buruma, who’ll become the new editor of the New York Review of Books next month, has a piece in the new issue on The Memory of Justice, “the four-and-a-half-hour documentary that has rarely been seen since 1976 but is...

BAMcinemaFest 2017

The Daily

Jun 14, 2017 New York’s BAMcinemaFest opens tonight with Aaron Katz’s Gemini and closes on June 24 with Alex Ross Perry’s Golden Exits. “Now celebrating its ninth year, this modest yet prestigious festival, so shrewdly curated, so reliably comprehensive a treasury of contemporary...

Jun 1, 2017 “The greatest filmmakers, like the greatest novelists and poets, are trying to create a sense of communion with the viewer,” writes Martin Scorsese in the new issue of the TLS. “They’re not trying to seduce them or overtake them, but,...

May 24, 2017 For my top-prize pick from the 1970s, I’ve chosen a film that enjoyed great commercial success while also stirring up international controversy. Though it was one of the highest-grossing German films of the decade, Volker Schlöndorff’s adaptation of Günter Grass’s...

May 18, 2017 Loveless is “two hours of gorgeously gloomy existential despair courtesy of the well-regarded Russian filmmaker Andrey Zvyagintsev,” writes Justin Chang in the Los Angeles Times. “Often touted as an heir to Tarkovsky, Russian cinema’s other famously austere Andrey, Zvyagintsev previously...

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