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Over the Limit

Jul 19, 2016 A cornerstone of the martial arts film genre, King Hu’s magisterial A Touch of Zen was the first Chinese movie to receive a prize at the Cannes Film Festival. Thanks to a pristine new restoration, this sprawling portrait of Ming...

Amarcord

Essays

Nov 22, 1999 Amarcord presents a scathing satirical critique of Italian provincial life during the 1930s, the height of the fascist period (1922–43). In this era, Mussolini’s dictatorship enjoyed its greatest popular support. While Fellini’s depiction of the provincial world under fascism provides...

Mar 4, 2002 Wong Kar-wai’s biggest commercial success to date elevated him to the mainstream of international art house cinema, and it echoes the end of an era with pure melancholic power.

May 6, 2025 A two-part, thirty-film retrospective opens in New York before traveling to Berkeley, Harvard, Toronto, and Vancouver.

Cure: Erasure

Essays

Oct 18, 2022 Kiyoshi Kurosawa’s hypnotic serial-killer film dives into the realm of the uncanny and envisions the breakdown of Japanese society.

Worlds Away

Features

Apr 21, 2021 First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

Sep 3, 2017 We begin with Jessica Kiang at the Playlist: “The book that will someday be written detailing the evolution of the cinematic head-stomp will be divided, rather like the most unfortunate victim of Bone Tomahawk, into two halves: before S. Craig...

Sep 2, 2017 Remembering Jerry Lewis in a piece for the Guardian, Martin Scorsese recalls working with him on King of Comedy: “Jerry Langford was an uncomfortable role for him to play, because he was skirting the edges of his own life in...

Mar 24, 2014 Rome is as exquisite as it is suffocating in Paolo Sorrentino’s profound tale of contemporary entropy.

Dec 5, 2012 In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.

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