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Never Back Down

May 27, 2020 “A filmmaker shows what his career will be in his first 150 feet of film,” François Truffaut once wrote. He was talking about Jean Vigo at the time, but he might as well have been talking about Martin Scorsese, whose...

May 22, 2020 Walking, like breathing, is something we do without thinking, an activity so common that pedestrian has as its second meaning uninspired, ordinary, dull. But when this action appears in a movie, it is revealed as more than the original mode...

May 21, 2020 Deep Dives “Right then, get dressed!” my mother sang out once a year when I was a child. “We’re going down the Lane,” and I was at the front door with my coat on before she was. The Lane was...

May 18, 2020 It’s hard to imagine Hollywood without Frances Marion. The story of the screenwriter’s career is entwined with the story of Hollywood itself, from its pioneer days to the Golden Age. Part of Marion’s skill as a writer was how her...

May 18, 2020 The beloved stalwart of the Seattle filmmaking community and accomplished director of high-profile television series was only fifty-four.

May 14, 2020 Restoration Spotlight I was just coming of age as a moviegoer when digital video hit the big screens, around the turn of the twenty-first century. At the time, I remember being every bit as entranced by the gritty horror of...

Cannes Stories

The Daily

May 14, 2020 Sorely missing the festival this year, filmmakers and critics swap memories and reflections.

May 8, 2020 The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...

May 4, 2020 “You’ve never seen prairie grass with the wind leaning on it, have you, Diz?”Jean Arthur asks this poetic, expressively peculiar question of Thomas Mitchell in Frank Capra’s 1939 Mr. Smith Goes to Washington, and we understand her yearning for truth...

May 4, 2020 A new 976-page biography delves into the life and work of an ultimately unknowable man.

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