May 16, 2024 Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.

May 15, 2024 The festival opens with a showcase for French acting royalty.

May 14, 2024 Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.

May 14, 2024 Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.

May 13, 2024 Among this month’s highlights are a bustling summer barbecue of amply peopled movies full of unforgettable performances, a collection of films with great synth soundtracks, and Adventures in Moviegoing with Paul Schrader.

May 6, 2024 Perhaps the most hard-to-categorize of the great Hollywood studios came into its own with a string of critically acclaimed films based on popular books and plays, including Born Yesterday, A Raisin in the Sun, and From Here to Eternity.

Screens Aglow

The Daily

May 3, 2024 Hiroshi Shimizu and Oscar Micheaux retrospectives open in New York and cinematographer Hélène Louvart talks about working with Varda, Wenders, and more.

Apr 30, 2024 The gentle rapport between actors Lili Taylor and River Phoenix fuels this humane examination of American masculinity, a film that showcases the nuanced and compassionate approach of director Nancy Savoca.

Apr 29, 2024 From After Hours to Mikey and Nicky to Collateral, movies centered on the twists and turns of a single night give filmmakers the chance to boldly experiment with cinematic time and space.

Apr 26, 2024 The director of Human Resources (1999), Time Out (2001), and The Class (2008) has died at sixty-three.

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