In Our Time

Sep 28, 2021 — Melvin Van Peebles: Essential Films Come on now, honey sugarYou know your baby loveYou know just the other dayI was gonna take you to go see a movieSweet Sweetback . . . Stevie Wonder, “Sweet Little Girl,” 1972 We went...

Aug 20, 2021 — This week we’re appreciating performances from Elliott Gould and Elaine Stritch and delving into the work of Lav Diaz and Kevin Jerome Everson.

Aug 12, 2021 — Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.

Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.

Jul 29, 2021 — As André Bazin put it, Marker created “a new and modern reality based as much on language and words as on the power of the image.”

Jul 22, 2021 — Quentin Tarantino’s first novel and studies of Ophuls and Melville are among this month’s new and noteworthy titles.

Jul 9, 2021 — This week: Bresson’s rhythms, Hawks’s bravura, Márta Mészáros’s choreography, and the everlasting No Wave of Beth B.

Jun 30, 2021 — First Person The first thing I’d like to note is that long before I was briefly an usher in a movie theater, my father was briefly an usher in a movie theater. That might not be so much in my...

Jun 11, 2021 — “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...

Apr 30, 2021 — The British New Wave, Eric Rohmer, and the late Monte Hellman figure among this week’s highlights. Also, it turns out there’s still a lot to say about Nomadland.