Ik-Film

Jun 2, 2016 — Kings of the Road is the most “roadish” of Wenders’s road movies, a film about travel as a form of escape for two German men and the transitory bond they form along the way.

Jun 1, 2016 — With Wrong Move, Wim Wenders made “a movie about the impossibility of moviemaking, a road movie about the uselessness of travel, a literary film about the impossibility of communication.”

May 31, 2016 — Richard Hell was a founding member of the early CBGB bands Television, the Heartbreakers, and Richard Hell & the Voidoids. His Voidoids album Blank Generation (Sire, 1977) is generally acknowledged as seminal to “punk.” Hell retired from music in 1984....

May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.

May 17, 2016 — Before the release of his new film Sunset Song, the beloved filmmaker stopped by the Criterion kitchen for lunch and became especially animated when our discussion drifted toward two of his great loves: the plays of Anton Chekhov and musicals...

May 10, 2016 — Nicholas Ray’s In a Lonely Place imbues the conventions of film noir with a subtle, tense vulnerability that lends a naturalistic weight to the film’s powerful emotional impact.

Apr 27, 2016 — Bret Easton Ellis may be best known for his novels and short stories—including Less Than Zero, The Rules of Attraction, and American Psycho, which was adapted as a film in 2000 and recently transformed into a musical that opened on...

Apr 14, 2016 — In honor of our disc release last week of the classic John Frankenheimer thriller The Manchurian Candidate, we sat down to talk about the film with the director’s widow, actor Evans Frankenheimer.

Apr 8, 2016 — Ten years ago, with the release of his debut film Reprise, a spirited drama about two young aspiring novelists, Norwegian filmmaker Joachim Trier emerged as one of the most interesting new voices in European cinema.

Mar 23, 2016 — We had come to expect Chantal Akerman’s periodic gifts of small and large cinematic gems. Certain of this flow, we were devastated when, all too abruptly, we were forced to think of her latest film, so beautiful, as her last.