The Criterion Collection
May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.
May 31, 2022 — Billy Wilder’s classic film noir is a powerful meditation on masculinity, desire, and the fantasies of white America.
The Daily
May 27, 2022 — After firing up the screen in Something Wild, Liotta secured immortality as a wiseguy in Goodfellas.
The Daily
May 26, 2022 — The top awards at this year’s Critics’ Week go to stories of young people with uncertain futures.
On the Channel
May 26, 2022 — Shimmy into summer with our centennial tribute to Judy Garland and two career-spanning series dedicated to queer filmmakers Ulrike Ottinger and Terence Davies.
May 25, 2022 — Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.
The Daily
May 25, 2022 — Park returns to the competition in Cannes with a Hitchcockian murder mystery.
May 25, 2022 — Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...
The Daily
May 20, 2022 — Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.
The Daily
May 19, 2022 — As Tchaikovsky’s Wife premieres in competition, the Russian director fields questions about cultural boycotts.