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A Story of Children and Film

Jul 26, 2017 “The rarely screened Le gai savoir (1969), translated as ‘Joy of Knowing’ in the 2K restoration that makes its world premiere at the Quad on Friday, exemplifies a typical Godardian paradox,” writes Melissa Anderson in the Village Voice. “Profuse and...

May 26, 2016 During the conductor and composer’s visit—a day after he’d led the New York Philharmonic in a live orchestral performance of the score to City Lights—we talked about his love for early cinema, the delicate process of restoring Chaplin’s music, and...

Feb 26, 2015 The threat of death hangs over Watership Down, Martin Rosen’s wise and uncompromising animated adaptation of Richard Adams’s classic novel about rabbits on a survival mission.

Nov 17, 2014 Claudette Colbert and Clark Gable’s effortless banter is pure magic, but Frank Capra’s comedy is rooted in the reality of the times.

Jul 30, 2013 Guillermo del Toro’s ghostly fable beautifully reflects the director’s fascination with the personal and the political.

Nov 5, 2012 The following originally appeared as the afterword to the 2003 New American Library edition of the novel Rosemary’s Baby. Having observed that the most suspenseful part of a horror story is before, not after, the horror appears, I was struck...

Apr 12, 2011 A nightmare from which no one awakes, Claire Denis’ White Material (2009) takes place in a nameless African country teetering on the brink of all-out civil war. It is the veteran French director’s toughest work, unsparing with its characters and...

Dec 1, 2009 The first words we hear are Sam Cutler’s: “Everybody seems to be ready—are we ready?” We were nowhere near ready for what was to come, there at the bitter end of the sixties. I remember that rainy day so well,...

Oct 18, 2009  So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...

Aug 18, 2008 This modest-scale psychological drama by Michael Powell and Emeric Pressburger follows an explosives expert with a drinking problem who harbors a great deal of bitterness.

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