The Casagrandes Movie

May 5, 1998 — John Woo’s last film made in Hong Kong before his emigration to the U.S. reflects the city's anxieties and state of crisis throughout the decade.

Sep 22, 1997 — If one writes a great chapter in a novel, it will seldom be taken out of a book for reasons of time or rhythm. A novel allows you longer arms, a deeper breath. Anthony’s scenes of Kip in England, which...

Sep 22, 1997 — I ?rst read The English Patient in one gulp, sitting in a room on 77th and Columbus the morning after I’d ?nished a sweltering summer of ?lming in New York. When I put the book down, it was dark, and...

Mar 19, 1996 — “[He] loves to set his figures in action against greenish or purplish backgrounds, in which we can glimpse the phosphorescence of decay and sniff the coming storm.”—Charles Baudelaire, writing on Edgar Allan Poe What’s striking about Seven is that the...

Jan 8, 1996 — Dodes’ka-den was made at a low point in Akira Kurosawa’s long career-perhaps the lowest that the director has ever known. In the preface of the filmmaker’s autobiography, critic and translator Audie Bock reports that Kurosawa’s commercial prospects became bleak in...

Aug 28, 1995 — Three Cases of Murder is of most interest to American audiences for Orson Welles’s flamboyant and bravura performance as Lord Mountdrago. However, it’s equally important as a showcase for Wendy Toye, one of Britain’s first female directors, and star Alan...

Jun 27, 1995 — Orson Welles’s Shakespeare adaptation was his first first fully independent feature, made without the resources of Hollywood.

Jun 5, 1995 — Kenji Mizoguchi departed abruptly from his earlier sentimental films into a world of acute realism with this bold critique of the position of women in contemporary Japanese society.

Nov 15, 1994 — Andrzej Wajda’s third full-length film established the director as a leader of the new Polish cinema.

May 9, 1994 — The importance of Two English Girls lies in its sheer vitality. The film is an extraordinary cinematic conjuring trick in which Truffaut draws the viewer both physically and visually into his own personal pleasures. He does this on a multitude...