The Criterion Collection
Jan 11, 2009 — What happened when Bernardo Bertolucci went to see Stop Making Sense in Florence? Well, as he confessed to director Jonathan Demme, he not only loved the film but was also stunned by (and even a little envious of) the response...
Jan 7, 2009 — If you’ve ever wanted to know more about Criterion’s cover designs for the films of Wes Anderson, check out this week’s issue of Time Out Chicago. In “5 Minutes with Ian Dingman,” Jake Malooley interviews the artist who supplied the...
Jan 5, 2009 — The National Society of Film Critics announced its 2008 awards this week, and Criterion won a special honor for the DVD release of White Dog. The esteemed organization, founded in 1966 and made up of the country’s leading film critics,...
Dec 29, 2008 — It is a good time to belong to the cult of Fuller. Those of us who consider ourselves members never forget our moment of induction. Some enlisted when his films first hit the screen—lucky enough to catch The Steel Helmet...
Dec 25, 2008 — Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.
Dec 21, 2008 — In 1962, Roberto Rossellini called a press conference in a bookshop in Rome and announced that the cinema was dead. “There’s a crisis not just in film but culture as a whole,” he explained. Increasingly, Rossellini had understood the great...
Dec 17, 2008 — ANew Year’s treat from the Film Society of Lincoln Center: Jacques Tati’s supersized comic odyssey Playtime will be shown in its original, rarely screened 70 mm format at the Walter Reade Theater. If you haven’t seen this visionary work, which...
Dec 16, 2008 — There has never been another movie quite like Carol Reed and Graham Greene’s masterpiece—a borderline counterintuitive combination of disparate elements that somehow come together as if they had been destined to do so.
Dec 16, 2008 — Science-fiction drama, western, love story, metaphysical mystery, and satire of modern America, Nicolas Roeg’s beguiling film established him as a mainstream heir to such 1960s experimentalists as Alain Resnais, Jean-Luc Godard, and Chris Marker.
Dec 15, 2008 — Critics have had our debut Blu-ray releases for weeks, and the word is out, coast to coast: “a revelation,” “stunning” and “eye-opening,” “awe-inspiring,” “nothing short of a miracle,” “if you think only color pictures can benefit from high-def treatment, think...