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Jan 26, 2018 We turn first to IndieWire’s David Ehrlich: “‘The emotions you are having are not your own, they are someone else’s. You are not the cat—you are inside the cat.’ So begins Josephine Decker’s Madeline’s Madeline, an ecstatically disorienting experience that...

Jan 26, 2018 Death has been greedy this week, taking not only artists who have left their mark on cinema but others, too, who have made an impact on our culture overall. The week began with the passing on Monday of Ursula K....

Jan 24, 2018 Wildlife, an adaptation of Richard Ford’s 1990 novel, “finds Paul Dano transporting his usual reserve as a performer (bellowing country preachers excepted) from one side of the camera to the other,” writes the A.V. Club’s A. A. Dowd. “Set in...

Jan 20, 2018 “In the near-decade since Dogtooth gnawed its way into viewers’ imaginations,” begins Guy Lodge in Variety, “the words ‘Greek comedy’ have come to mean something nearly as distinct as ‘Greek tragedy’ to arthouse audiences—just not always distinct from Greek tragedy,...

60s Verité

The Daily

Jan 19, 2018 “Tapping into the cultural, social and political anxieties that are tipping our country toward another revolution, Carnegie Hall has rallied some of the biggest institutions in the city for The ‘60s: The Years That Changed America,” writes Eva Kis for...

Jan 18, 2018 To Save and Project: The 15th MoMA International Festival of Film Preservation opens tonight with William K. Howard’s Transatlantic (1931; image above), “a pre-Code comedy firmly set during the golden age of ocean travel,” as Caroline Golum notes at Screen...

Jan 18, 2018 The lineups for the sixty-eighth Berlin International Film Festival, running from February 15 through 25, are coming hard and fast now. Today sees rollouts for the Forum, the main attraction for many a cinephile, and the Berlinale Series. With descriptions...

Jan 16, 2018 The ravages of poverty in contemporary Britain are translated with vivid authenticity in this drama from celebrated filmmaker Ken Loach.

Jan 7, 2018 This past Christmas Eve, Jonas Mekas—filmmaker, poet, critic, co-founder of the journal Film Culture and New York’s Anthology Film Archives—turned ninety-five, certainly occasion enough for IndieWire’s Eric Kohn to get a few words with him. They discuss government support for...

First Look 2018

The Daily

Jan 5, 2018 For the seventh year running, the First Look festival at the Museum of the Moving Image in New York presents “formally inventive new works that seek to redefine the art form while engaging in a wide range of subjects and...

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