The Criterion Collection
Mar 24, 2020 — How do you talk about Leave Her to Heaven without talking about Gene Tierney’s face? You can’t. Because its planes and curves, its cunning expressions and its tantalizing opacity, are such a central piece of the movie itself. A series...
Mar 10, 2020 — In the fall of 1966, an unusual proposal reached the desk of Melbourne I. Feltman, vice president of Consolidated Book Publishers in Chicago. In a letter dated October 24, sent from the Maysles Films office in Midtown Manhattan, David Maysles...
Feb 25, 2020 — In these times of Trumpidation, thirty years after its auspicious release, Paris Is Burning seems even more relevant than it did in early 1991, when I wrote the following for Black Film Review about Jennie Livingston’s phenomenal documentary on New...
Visual Analysis
Feb 11, 2020 — The most deeply personal film of Alfonso Cuarón’s career, Roma imbues the director’s own childhood memories with the epic sweep of history. But for all the technical virtuosity and monumental scale on display in its set pieces, the movie—which joins...
Dec 3, 2019 — Performances If there was one mother-daughter television date my busy mum was always willing to down tools for, it was a Bette Davis movie. Her favorite—and mine, for the preteen period when I gave the thumbs-up to anything my mother...
Essays
Jul 16, 2019 — When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...
Features
May 31, 2019 — Cannes 2019 Cannes has been top dog in the festival world as long as anyone can remember. It was originally set to launch in 1939 as a conscious political reply by liberal democracy to the success of Mussolini in establishing...
May 14, 2019 — It all comes down to that first wink. About half an hour through Michael Haneke’s 1997 cause célèbre Funny Games, Paul (Arno Frisch), one of the two politely psychotic young home invaders who’ve taken a family captive, leads one of his...
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.
Dec 17, 2017 — “He’s joking all the time if he feels he has an audience,” Barbet Schroeder said of Idi Amin in a 1976 New York Post interview.I think we know the type.Ugandan dictator Amin, the subject of Schroeder’s 1974 documentary General Idi Amin Dada: A...