The Criterion Collection
Essays
Mar 30, 2009 — Among the great Polish filmmakers—Krzysztof Kieslowski, Krzysztof Zanussi, Agnieszka Holland, Roman Polanski—Andrzej Wajda stands out as the one most concerned with national identity and memory.
Aug 20, 2024 — In her formally daring debut feature, Martha Coolidge stages a confrontation with the subject of date rape that questions the kind of “closure” required in conventional storytelling.
Dec 4, 2020 — Forty years after her death, people still imitate Mae West’s voice: that slinky contralto drawl that hit each Brooklyn-inflected vowel like a cab driver leaning on his horn. The voice would be memorable even if she had by some wild...
The Daily
May 20, 2017 — “If he hadn’t already laid claim to the title of king of the cringe-inducing confrontation and nabob of the nervous laugh with the withering Force Majeure, Ruben Östlund truly anoints himself with The Square, an excoriating razor-burn of a movie...
Sep 30, 2025 — Made with a formal control unparalleled in modern American cinema, the films of this utterly distinctive auteur seek to contain and understand an uncontainable, unknowable world.
The Daily
Oct 11, 2022 — One mystery leads to the next over the course of twelve chapters split into two features.
Sep 10, 2020 — In this in-depth interview, the legendary photographer and filmmaker explains how a lifetime of compulsive movie-watching has influenced her artistic practice.
The Daily
Dec 20, 2019 — This week we’re spotlighting directors’ and writers’ appreciations of other directors and writers, plus Céline Sciamma and Agnès Varda.
Nov 29, 2018 — 112 films, including new work from Joanna Hogg, Stanley Nelson, Kim Longinotto, and Ritesh Batra.
The Daily
Mar 7, 2018 — A Wrinkle in Time, the adaptation of Madeleine L’Engle’s 1962 science fiction classic, “directed by Ava DuVernay from a screenplay by Jennifer Lee and Jeff Stockwell, has been a long time coming,” writes A. O. Scott in the New York...