The Criterion Collection
Features
May 22, 2015 — It is one of my most strongly held critical beliefs that you should not write about films you don’t like. First, it is bad for the soul to exult in pointing out the deficiencies of the film in question. Second,...
In Theaters
Apr 2, 2015 — Repertory Picks New York’s Japan Society is in the midst of celebrating two of Japanese cinema’s biggest stars in the screening series The Most Beautiful: The War Films of Shirley Yamaguchi and Setsuko Hara. Focusing on films made before, during,...
Mar 24, 2015 — Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.
Mar 11, 2015 — More than thirty years after his death in 1977, Roberto Rossellini is remembered by your average film buff as the father of Italian neorealism (Rome, Open City, 1945; Paisan, 1946; Germany Year Zero, 1948) and of actress and model Isabella...
Short Takes
Feb 20, 2015 — In time for this year’s Academy Awards ceremony, we wanted to celebrate all the incredible women who have been nominated for best actress Oscars for their roles in Criterion titles. They range from the 1930s to the 2010s, and include...
Feb 17, 2015 — It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-five-year career as a writer-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...
Oct 21, 2014 — Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.
May 13, 2014 — Few national cinemas have confronted the issue of preparedness for war with the creative vigor of England’s. Thorold Dickinson’s The Next of Kin (1942), Alberto Cavalcanti’s Went the Day Well? (1942, from a story by Graham Greene), and, of course,...
Essays
Feb 4, 2014 — When François Truffaut was a twenty-three-year-old film critic, in 1955, he read an autobiographical first novel by a seventy-four-year-old writer, Henri-Pierre Roché. “The book overwhelmed me,” he later recalled, “and I wrote: If I ever succeed in making films, I...
Oct 7, 2013 — René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.