The Criterion Collection
Essays
May 12, 2001 — Bertrand Tavernier’s adaptation is the story of a saintly madman in a world where the concepts of good and evil have no meaning.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
The Daily
May 18, 2026 — Critics are taking to Paweł Pawlikowski’s Fatherland, Radu Jude’s The Diary of a Chambermaid, and Jordan Firstman’s Club Kid.
Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...
The Daily
Apr 17, 2025 — At eighty-two, the director has made his most deeply personal film yet.
Sep 24, 2024 — Emerging out of the mass death, cultural ferment, and semiotic tumult of the 1990s, this trio of deliriously profane films glares at American youth culture and gives zero shits if it looks back.
Sep 10, 2024 — Andrew Haigh explores loss and queer loneliness in this exquisite, twilit tangle of lives and loves separated by space, time, and personal defenses.
The Daily
May 20, 2024 — Every rave and every pan salutes Coppola’s determination to realize his grandest vision.
On the Channel
Apr 17, 2024 — Three of this month’s programs blast back to the turbulent midcentury moment when old Hollywood gave way to something new.