Possible Love

Mar 15, 2018 — New York. Film Forum’s series, entitled simply Michel Piccoli, opens tomorrow and runs through March 22. “It’s surprisingly hard to think of an American equivalent for Piccoli,” writes Mike D’Angelo in the Village Voice. “He never exudes the wised-up, electrifying...

Feb 8, 2018 — “Is there a full-length feature film in the dramatic but blink-and-it’s-over incident of three young Americans subduing a heavily armed terrorist determined to kill as many people as possible on a Paris-bound fast train two years ago?” asks the Hollywood...

Jan 4, 2018 — Even as we look ahead to the films we’re hoping to see this year, there’s still some 2017 sorting to do. And let’s begin with Farran Smith Nehme’s refreshing list of some of the older films she caught last year....

Dec 30, 2017 — There’s been a furious flurry of list-making going on at IndieWire over the past couple of days. “IndieWire has reached out to a number of our favorite filmmakers to share with us their lists and thoughts on the best of...

Dec 22, 2017 — “There are two basic types of Errol Morris film,” writes Evan Kindley in the Nation: One is the character study of an obsessive individual pursuing a difficult, perhaps impossible goal. Morris loves his Ahabs: the animal-obsessed eccentrics of Fast, Cheap...

Aug 10, 2017 — “Stylish swagger goes full-tilt boogie in Let the Corpses Tan (Laissez bronzer les cadavres), the latest delirious exercise in lovingly retro pastiche from Brussels-based writer-directors Hélène Cattet and Bruno Forzani,” begins Neil Young in the Hollywood Reporter. “Having amassed a...

Jul 25, 2017 — Chloë Sevigny took a step behind the camera with her directorial debut, Kitty, an adaptation of a Paul Bowles story about a shy young girl who finds herself transforming into a cat.

Mar 29, 2017 — Film journalist Mark Harris stopped by Criterion to chat about the growing pains that five Hollywood filmmakers experienced during World War II.

Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.

Jul 21, 2016 — Interweaving wartime footage with haunting images of abandoned concentration camps, Alain Resnais’s breakthrough was one of the first films to confront the ravages of the Holocaust.