Oct 8, 2024 An otherworldly exploration of the realm between life and death, this horror masterpiece transcends its genre with its poetic, often unsettling use of fragmentation and discontinuity.

Oct 8, 2024 Telling a love story in three parts spanning more than twenty years, Jia offers a summing up before he turns a new page.

Oct 7, 2024 The winner of the Grand Prix in Cannes is a portrait of three women in Mumbai—and at a crossroads in their lives.

Oct 4, 2024 The week offers conversations with Francis Ford Coppola and John McNaughton, deep dives into a horror classic, and a guide to Indie’a Parallel Cinema.

Oct 2, 2024 The singer and songwriter who rerouted Nashville’s course became an unlikely but winning movie star.

Critical Returns

The Daily

Sep 27, 2024 The times call for revisiting work by Robert Bresson, John Ford, Shu Lea Cheang, Brian De Palma, and Robert Towne.

Sep 26, 2024 The directors discuss their award-winning documentary Bad Press and their effort to invert the exploitative dynamics that have long existed between documentary filmmakers and Indigenous communities.

Sep 25, 2024 A dozen newly restored films from the 1970s, ’80s, and ’90s will screen in this year’s program.

Sep 25, 2024 At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.

Sep 24, 2024 Emerging out of the mass death, cultural ferment, and semiotic tumult of the 1990s, this trio of deliriously profane films glares at American youth culture and gives zero shits if it looks back.

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