Office

Jan 15, 2016 — The filmmaker and cinematographer had a lifelong commitment to the camera and how it could be used to foster dialogue and action.

Dec 9, 2015 — With Jellyfish Eyes, Takashi Murakami’s creature feature made in the aftermath of Japan’s 2011 earthquake and nuclear crisis, the international art superstar brings his transcultural vision to the lineage of artist-filmmaker crossovers.

Nov 25, 2015 — Akira Kurosawa's 1952 film about one man’s mortality offers a study in postwar Japan, Kurosawa vs. Ozu, and the realization that knowing how to die requires learning how to be alive.

Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.

Oct 15, 2015 — Sophia Loren and Marcello Mastroianni are cast against type—and funnyman director Ettore Scola gets serious—in this humane drama set in Fascist Italy.

Sep 21, 2015 — During his off hours from running the country, President Jimmy Carter was quite the film fanatic, according to an amusing piece by Matt Novak on the Gizmodo site Paleofuture. Novak, after “painstakingly going through the president’s daily journal,” reveals that...

Aug 21, 2015 — It’s no longer a normal workday when Patti Smith stops by the office. The singer-songwriter, visual artist, poet, and best-selling scribe was here today to shoot an interview about Dont Look Back, D. A. Pennebaker’s legendary Bob Dylan documentary, which...

Aug 13, 2015 — The films Agnès Varda made while living on the West Coast of the United States are some of the most searching and challenging of her stellar career.

Aug 11, 2015 — The incredible Agnès Varda, now eighty-seven years old, stopped by the Criterion Collection office this past April to talk to us about the amazing, sometimes surreal experience of moving to California from France in the late 1960s and and again...

Aug 3, 2015 — On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...