Mod

Feb 14, 2023 — Entrenched as an authoritative adaptation, this Oscar-winning hit is still admired, taught, and studied today for its spectacular re-creation of the past and its reinvention of the Shakespearean spoken word.

Feb 10, 2023 — We head this week to Germany before and after the war and then revisit gruesome killings in Japan and France.

Feb 7, 2023 — One of Krzysztof Kieślowski’s closest collaborators, the Polish composer suffuses the quotidian images that appear throughout Blue, White, and Red with deep poetry and sacred meaning.

Jan 27, 2023 — This week brings a new issue of Seen, featuring Cauleen Smith; a conversation with Jia Zhangke; and a deep dive into Twin Peaks: The Return.

Jan 25, 2023 — Critical favorites include new films by Ira Sachs, Roger Ross Williams, William Oldroyd, and Raine Allen-Miller.

Jan 24, 2023 — Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.

Jan 24, 2023 — The Daniels’ gender-blender is out front, followed by The Banshees of Inisherin and All Quiet on the Western Front.

Jan 9, 2023 — The films in the Criterion Channel collection Free Jazz chronicle the development of a deeply experimental music that has baffled and enthralled listeners in equal measure.

Jan 6, 2023 — We’re catching up with a conversation with Tom Gunning, an essay on the nuclear threat, and appreciations of Jean-Louis Trintignant and Norma Shearer.

Jan 6, 2023 — The interdisciplinary Canadian artist was best-known in the States for such landmark films as Wavelength (1967) and La région centrale (1971).