Mirror

Dec 7, 2017 — “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...

Nov 20, 2017 — World of Tomorrow Episode Two: The Burden of Other People’s Thoughts is headed to Dallas, Austin, New York, San Francisco, and Los Angeles. Don Hertzfeldt’s tweeted dates and links. New York. Aleksandr Sokurov’s Days of Eclipse (1988), “like Stalker, brews...

Oct 7, 2017 — The Day After is one of two films by Hong Sang-soo screening as part of the New York Film Festival’s Main Slate (the other being On the Beach at Night Alone) and, as Zach Lewis notes at In Review Online,...

Oct 6, 2017 — “In both shape and sensibility, the work of Los Angeles-based filmmaker Ben Russell embodies a fluid yet holistic creative practice,” writes Jordan Cronk, introducing his interview for Film Comment. “A spiritual descendant of cinematic anthropologists Jean Rouch and Robert Gardner,...

Sep 27, 2017 — In conjunction with a new edition of Stan Brakhage’s Metaphors on Vision, we’re sharing a selection from the opening pages of this seminal work.

Aug 29, 2017 — New York. The Film Society of Lincoln Center has announced a round of Special Events, added a title to its Retrospective, and rolled out the short films of the Main Slate for the fifty-fifth New York Film Festival (September 28...

Aug 23, 2017 — Following the lineups for the New York Film Festival’s Main Slate and Projections program, the Revivals and the Retrospective, the Film Society of Lincoln Center now presents the complete lineup for the Spotlight on Documentary section.For descriptions and further details,...

Aug 18, 2017 — “The last time I saw Poison [1991] it shocked me,” Todd Haynes tells Rory O’Connor at the Film Stage, “and it demonstrated to me a different side of myself, of my history, of our history as a culture, as a...

Aug 8, 2017 — The disheveled drifter at the heart of Mike Leigh’s 1993 masterpiece collides with a disturbed young man in this brilliantly acted, semi-screwball scene.

Aug 2, 2017 — “Forty years ago,” begins Earl Douglas at the Interrobang, “the country was still reeling from Vietnam and Watergate, Elvis died, punk and disco took full flight, and New York City dealt with record heat, a blackout, a financial crisis and...