The Criterion Collection
Oct 27, 2022 — The director conjures fresh monsters in the horror anthology Cabinet of Curiosities and in the stop-motion animated Pinocchio.
The Daily
Oct 25, 2022 — As Saturn Bowling heads to the U.S., Mazuy sets up a project with Isabelle Huppert and Hafsia Herzi.
The Daily
Oct 19, 2022 — A father and daughter bond on a budget holiday in the Scottish director’s first feature.
Oct 18, 2022 — Drawing from Latin American folklore, Jayro Bustamente conjures an intimate, supernatural tale that engages with Guatemala’s history of violence.
Essays
Oct 18, 2022 — Kiyoshi Kurosawa’s hypnotic serial-killer film dives into the realm of the uncanny and envisions the breakdown of Japanese society.
The Daily
Oct 17, 2022 — Memoirs from Paul Newman and Pierre Clémenti, miscellany from Satyajit Ray and Alan Rickman, and a translation of Marguerite Duras are among this month’s highlights.
The Daily
Oct 13, 2022 — Denis’s second film of the year split the critics when it won a Grand Prix in Cannes—and it’s still splitting them now.
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
Sep 28, 2022 — This melodrama, made by André de Toth in his native Hungary, anticipates the unease of the director’s postwar Hollywood films with an array of radical stylistic choices and jarring visual tensions.
Sep 28, 2022 — Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.