Líto

May 31, 2024 — This week revives the ghost of Fellini and overflows with conversations about movies, movies, and more movies.

May 30, 2024 — The season brings new biographies of Ingmar Bergman and Elaine May, a novel by Miranda July, plus interviews, excerpts, and podcasts

May 29, 2024 — This Oscar-winning courtroom drama revolves around one of director Justine Triet’s most complex creations—a high-achieving female protagonist whose motivations remain tenaciously mysterious.

May 28, 2024 — With just a few exceptions, critics are generally pleased with this year’s awards.

May 23, 2024 — At a time of crisis for Argentinian cinema, an Argentinian director has won the top prize.

May 21, 2024 — The Senegalese filmmaker’s steadfast devotion to African autonomy led him to become a foundational contributor to the hard-won, dynamic flourishing of an independent cinematic tradition on his home continent.

May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.

May 20, 2024 — From documentaries and stop-motion animation to multimedia projects, the richly varied work of this veteran director is a testament to her innovative spirit and her commitment to the everyday beauty of African American experiences.

May 20, 2024 — Every rave and every pan salutes Coppola’s determination to realize his grandest vision.

May 17, 2024 — We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.