The Criterion Collection
May 24, 2018 — Let the celebrations begin with a series in New York, a season in London, and a new restoration.
The Daily
May 14, 2018 — A mystery, a road movie, and a tribute to the late Abbas Kiarostami.
Apr 19, 2018 — With a mix of improvisation, balletic physicality, and slapstick humor, Hollywood master Leo McCarey crafted the most sublime of screwball comedies.
The Daily
Apr 17, 2018 — The seventeenth Tribeca Film Festival opens tonight in New York with Love, Gilda, Lisa D’Apolito’s portrait of beloved comic actress Gilda Radner, and screens around one hundred more features before wrapping on April 29. Throughout the festival’s run, I’ll be...
Mar 27, 2018 — Actress Stéphane Audran has passed away at the age of eighty-five, reports Deadline’s Nancy Tartaglione. “Audran, whose real name was Colette Dacheville, is known for her long collaboration with Claude Chabrol to whom she was married from 1964–1980. She also...
Mar 27, 2018 — At the height of his career, Ken Russell brought D. H. Lawrence’s classic exploration of human sexuality to the screen with frank eroticism and visual panache.
Mar 8, 2018 — The first item to be mentioned is Martin Scorsese’s post on Instagram the other day: “That’s a wrap!” Principal photography on The Irishman, starring Robert De Niro, Al Pacino, Joe Pesci, Anna Paquin, Bobby Cannavale, Harvey Keitel, and Ray Romano,...
The Daily
Mar 3, 2018 — So this is the weekend that finally brings awards season to an end. The Film Independent Spirit Awards will be presented tonight (and here’s an overview of the nominations), and tomorrow’s the Big Night (again, the nominations). The one piece...
The Daily
Feb 25, 2018 — “James Baldwin and Karl Marx—the subjects of my two most recent films—were my two primary teachers; each in his own way taught me how to think, how to be, how to engage,” writes Raoul Peck, director of I Am Not...
The Daily
Feb 23, 2018 — “Eighteen years young and still eagerly nudging audiences toward discovery, Film Comment Selects is a film series as pointed act of correction,” writes Ed Gonzalez at the top of his overview in the Village Voice of the series opening today...