Hit Me

Feb 15, 2022 — Playful irreverence gives way to tragedy and transcendence in Leo McCarey’s 1939 masterwork, one of the defining romances of the Hollywood studio era.

Jan 25, 2022 — A Victorian-era tale of self-discovery, Jane Campion’s Palme d’Or winner exults in the thrill of female rebellion.

Jan 19, 2022 — The competition will premiere new work from Hong Sangsoo, Claire Denis, Ursula Meier, Denis Côté, Ulrich Seidl, and Paolo Taviani.

Jan 11, 2022 — A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.

Nov 30, 2021 — Lost films are not the only tragedy of the silent age. It’s time that we counted up all the forgotten stories, and the overlooked connections as well. The truth is that lost films and lost memories can’t be separated. One...

Nov 23, 2021 — The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

Nov 16, 2021 — Tsui Hark’s epic martial-arts saga revolutionized Hong Kong cinema by presenting a complex portrait of modern Chinese history and setting a gold standard in action choreography.

Sep 21, 2021 — Johnnie To pays homage to Akira Kurosawa in this martial arts drama about the virtue of struggle and self-improvement.

Aug 30, 2021 — As the fifty-fifth edition wrapped over the weekend, Stefan Arsenijević’s As Far as I Can Walk took three prizes.

Aug 12, 2021 — Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.