The Criterion Collection
Essays
Oct 29, 2001 — Peter Medak’s stinging satire is unashamedly theatrical, emerging from a fascinating period in English culture when theatre and cinema together were mining a rich vein of flamboyant self-analysis.
Essays
Aug 20, 2001 — Carl Dreyer considers the work of art’s soul in this excerpt from Dreyer in Double Reflection.
Jul 9, 2001 — John Schlesinger’s classic is an exuberant satire of a society caught between its old ways and the urge to modernize.
Essays
Jan 29, 2001 — Masahiro Shinoda’s historical drama uses traditional elements of Japanese theater to explore the tension between ethics and eroticism.
Essays
Aug 28, 2000 — In what is arguably his most popular and enduring feature, W. C. Fields nails the American tendency to inflate one’s importance.
Essays
Jul 17, 2000 — Designed to steam viewers’ glasses, Roger Vadim’s directorial debut boldly announced the arrival of Brigitte Bardot.
Essays
Jun 26, 2000 — Brief Encounter was the fourth and final film that David Lean made in association with Noël Coward. Derived from Still Life, a one-act play which Coward included in the portmanteau Tonight 8:30, the story tells of a suburban housewife, Laura...
Essays
Dec 31, 1999 — As a tour de force of screen acting, Autumn Sonata stands unchallenged as the finest work of Ingmar Bergman’s last few years as a movie director. Fanny and Alexander may have won the Oscars, but Autumn Sonata represents Bergman’s chamber...
Essays
Apr 6, 1993 — Robert Altman’s darkly witty, gleefully close-to-bone satire of Hollywood is also a return to the infinitely sly and supple virtuosity that marked his great work of the ‘70s.
Dec 9, 1991 — This rarely seen, overlooked gem, featuring what may be one of Marlon Brando’s most fascinating characterizations, was Gillo Pontecorvo’s worthy follow-up to his political masterpiece The Battle of Algiers. The brilliant radical Italian director achieved something unique in cinema, by...