The Criterion Collection
Dec 9, 2002 — What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.
Essays
May 15, 2000 — Vagabond has been called Agnès Varda’s Ulysses, and with good reason. The comparison with James Joyce’s era-defining epic novel extends well beyond a recognizable similarity between the two artists. Both writer and filmmaker occupy vanguard positions in the history of...
The editor of the New Yorker feels honored by the tribute to the magazine in The French Dispatch of the Liberty, Kansas Evening Sun, urges patience to appreciate Stan Brakhage’s experimental cinema, and finds parallels between the experiences of watching...
The Daily
Nov 16, 2023 — New York’s Japan Society presents six brash films set in a flourishing but all-too-brief era.
In Theaters
Feb 16, 2017 — Repertory PicksTomorrow, the International House Philadelphia salutes French actor-director Pierre Etaix with a double dose of his unique brand of physical comedy. The screening kicks off with As Long as You’ve Got Your Health (1966), a compendium of four hilarious...
Criterion Designs
Dec 5, 2024 — The creative director of Miami-based studio EDGLRD, which he cofounded with filmmaker Harmony Korine, describes the process of creating the cover artwork for Criterion’s recently released Gummo edition.
The Daily
Jun 29, 2020 — The new issue ranges from experimental nonfiction to a Pixar feature, from a ten-screen installation to Watchmen.
Dec 6, 2016 — This elegiac meditation on impermanence showcases Laurie Anderson’s playfully experimental approach to sound and image.