The Criterion Collection
Aug 29, 2012 — With humor and melancholy, Franc Roddam’s coming-of-age drama, based on the Who’s iconic album, shows us a g-g-generation on the edge.
Interviews
Aug 28, 2012 — The boy Quadrophenia’s Jimmy was based on (or was he?) talks to us about the mod life.
Essays
Aug 14, 2012 — The Dardennes threw down the gauntlet for a new type of unadorned dramatic storytelling with their breakthrough tale of a working-class boy’s fraught coming-of-age.
Jul 31, 2012 — Aki Kaurismäki’s latest working-class fable is his warmest, and his most political.
Jul 14, 2012 — Simply stated, Wes Anderson is the most original presence in American film comedy since Preston Sturges. He is as boundlessly confident as Sturges was in his heyday, and he has a similarly keen ear for gaudy dialogue; a gift for...
Jun 21, 2012 — The following interview with actor Ruth Gordon originally appeared in the April 4, 1971, edition of the New York Times. “Have ya gotta angle for the story?” The accent—part New England hayseed, part Dead-End Kid—is unmistakable. It belongs to Ruth...
Jun 18, 2012 — Theater’s ultimate autobiographer, Spalding Gray, and cinema’s invisible-man auteur, Steven Soderbergh, teamed up for an eye-opening movie monologue.
Jun 13, 2012 — Tasteful British cinema got a refreshing dose of amorality with Danny Boyle’s stylish and violent tale of greed and paranoia.
Jun 12, 2012 — Hal Ashby’s delicately off-kilter May-December romance stars two of the unlikeliest countercultural icons of the seventies.