The Criterion Collection
Jun 12, 2012 — Hal Ashby’s delicately off-kilter May-December romance stars two of the unlikeliest countercultural icons of the seventies.
Interviews
Jun 7, 2012 — In this classic self-interview, published to coincide with the release of Summer with Monika, the director reveals key elements of his filmmaking process.
May 15, 2012 — Circumlocutory critic Perkus Tooth sits down with a very patient Spike Jonze to talk gerunds and colons.
Oct 25, 2011 — It’s not a movie about how things were; it’s a movie about how things are remembered.
Essays
Oct 4, 2011 — No film better illustrates Pier Paolo Pasolini’s challenge to conventional representations, to the social and cultural consensus, than his 1976 masterwork.
Interviews
Jun 22, 2011 — Theresa Russell is attracted to the very things that repel most actors. In 1976’s The Last Tycoon, her first movie (and Elia Kazan’s last), she is unafraid of seeming to do very little. Young actresses like to show you they...
Nov 25, 2010 — Five Easy Pieces is not a statement about America but a closely observed report. Or, perhaps, a confession.
Oct 15, 2009 — Our favorite Manitoban, Guy Maddin, cheerfully grim chronicler of storybook psychosexuality and charmingly modest self-mythologizer, is in Paris now for a special event. Though just fifty-three and very much still working, the filmmaker is the subject of a complete career...
Jan 6, 2009 — Bernardo Bertolucci’s Oscar-winning film is not just an epic but also a small film, one in which, somehow or other, the scope of David Lean has been enriched with the vision of Ozu.
Essays
Nov 27, 2008 — Despite Samuel Fuller’s career-long penchant for giving controversial subjects a punchy, exploitation-movie spin, his twenty-first feature was the first to suffer outright suppression.