The Criterion Collection
Feb 28, 2012 — In the long history of stage-to-screen translations, there’s never been anything quite like Louis Malle’s Vanya on 42nd Street (1994), an astonishing hybrid blurring the boundaries between theater and film, rehearsal and performance, actor and character. The production began in...
Essays
Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...
Essays
Jun 11, 2007 — Claude Berri’s witty comedy-drama depicts Nazi sympathizers with three-dimensional candor, neither whitewashing nor apologizing for their misguided ideas.
The Daily
Nov 8, 2019 — A digital resurrection, an image book, and a painting of a hammer all figure in this week’s round.
The Daily
Apr 27, 2018 — A survey of the films in this year’s Cannes competition lineup and predictions of what will take home the top prize.
The Daily
Apr 17, 2025 — At eighty-two, the director has made his most deeply personal film yet.
The Daily
Oct 27, 2023 — We’re revisiting Infernal Affairs, Lisandro Alonso’s Los muertos, and some of the first reviews posted at Reverse Shot.
The Daily
Jul 19, 2022 — Our midsummer books roundup opens with one sharp critique and one celebration of American popular culture.
The Daily
Mar 29, 2019 — Fresh assessments of the work of Chris Marker and Stanley Kubrick, an interview with Kent Jones, and that stellar year for American cinema, 1999.