The Criterion Collection
The Daily
Jul 30, 2024 — Tsai Ming-liang and Lee Kang-sheng will be on hand for a fourteen-film American Cinematheque retrospective.
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.
The Daily
Apr 14, 2023 — This week: Interviews with Rob Tregenza and Ari Aster and new writing on Lubitsch, Jarmusch, and Laura Citarella.
Feb 28, 2023 — In his directorial debut, Robert Townsend channeled his frustrations with the typecasting of Black actors, resulting in a satire whose hilarious critique of Hollywood still resonates today.
The Daily
Feb 7, 2023 — A series in Melbourne spotlights Guerra’s work with Antonioni, Fellini, Tarkovsky, and Angelopoulos.
The Daily
Jan 25, 2023 — Critical favorites include new films by Ira Sachs, Roger Ross Williams, William Oldroyd, and Raine Allen-Miller.
Dec 1, 2022 — During the production of our release of Amores perros in 2020, the film’s writer-director, Alejandro G. Iñárritu, gave us a remarkable window into his creative process, showing us some of the dozens of note cards he’d used in planning scenes...
Features
Nov 23, 2022 — In Susan Seidelman’s Smithereens, the odyssey of a New Jersey transplant trying to survive in Manhattan is accompanied by the music of one of the Garden State’s most iconic punk bands.
The Daily
Nov 14, 2022 — Most reviewers are getting a kick out of Tarantino’s blend of memoir and film criticism.
Sep 28, 2022 — Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.