[REC]

Nov 14, 2022 — Most reviewers are getting a kick out of Tarantino’s blend of memoir and film criticism.

Nov 9, 2022 — New York’s Metrograph presents films by Park Chan-wook, Bi Gan, Ang Lee, Johnnie To, and Michael Mann.

Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.

Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.

Oct 26, 2022 — Todd Field’s Tár leads with five, followed closely by Charlotte Wells’s Aftersun with four.

Oct 21, 2022 — The Viennale and the Austrian Film Museum present twelve features by a vital figure in the Japanese New Wave.

Oct 18, 2022 — The winner of top nonfiction awards at Sundance, Cannes, and London arrives in theaters.

Oct 18, 2022 — Drawing from Latin American folklore, Jayro Bustamente conjures an intimate, supernatural tale that engages with Guatemala’s history of violence.

Oct 13, 2022 — Denis’s second film of the year split the critics when it won a Grand Prix in Cannes—and it’s still splitting them now.