Oct 5, 2012 Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...

Oct 5, 2012 Wong Kar-wai’s In the Mood for Love is so exquisitely rendered and precisely calibrated that it seems it could only have ever been conceived of as the pensive, formal meditation that it is. But surprisingly, neither Wong nor his stars—Maggie...

Oct 4, 2012 Louis Malle is remembered primarily as a fiction filmmaker, but he had a parallel career as a documentarian. In fact, he got his start in nonfiction: when he was just twenty-three years old, Malle was given the opportunity to collaborate...

Oct 3, 2012 Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...

Oct 2, 2012 Mary Woronov first hit the scene as a Warhol superstar. (A great clip of her in a screen test for Warhol is a subject for a whole other post.) In honor of the release of Paul Bartel’s Eating Raoul, which Mary stars...

Oct 2, 2012 Set in 1960s Hong Kong, Wong Kar-wai’s ravishing masterpiece is both a love song to a city and a human romance of epic intimacy.

Sep 28, 2012 Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...

Sep 27, 2012 Franc Roddam, the director of Quadrophenia, got his start working for British television in the seventies, making award-winning films like Mini and Dummy and the fly-on-the-wall series The Family. His other feature films include The Lords of Discipline, The Bride,...

Sep 27, 2012 A culinary, cinematic, and musical institution is as endangered as the eels in the Thames.

Sep 26, 2012 Countercultural icons Paul Bartel and Mary Woronov makes square subversive in Bartel’s cult classic.

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