The Criterion Collection
Nov 28, 2018 — It’s not every day that you see duds like these. One of the boldest splashes of local color in David Byrne’s True Stories—a genre-defying odyssey to the weird and wonderful world of north-central Texas—comes midway through, during a fashion show...
On the Channel
Nov 18, 2018 — A performer of great psychological force and control, Ingrid Thulin embodied some of Ingmar Bergman’s darkest obsessions with her intimidating screen presence.
The Daily
Nov 2, 2018 — The branding of Bergman, the arrival of The Other Side of the Wind, and more highlights of the week.
On the Channel
Oct 29, 2018 — Professor Jeff Smith breaks down how François Truffaut’s loving tribute to the crime genre Shoot the Piano Player uses anamorphic widescreen compositions to stylish effect.
In Theaters
Oct 18, 2018 — One of the greatest of all silent films screens at a/perture cinema this Saturday, with a presentation by a Wake Forest University religious-studies professor.
Oct 9, 2018 — The Oscar-winning director of La La Land explains how an early encounter with À nos amours taught him to mix spontaneity and surprise into his own highly stylized worlds.
In Theaters
Oct 4, 2018 — Repertory Picks Tonight at 7, as part of its tuneful series Cinema Jukebox, the Coolidge Corner Theatre in Brookline, Massachusetts, throws the spotlight on one of the last great American films of the 1970s, as Bob Fosse’s showstopping All That...
On the Channel
Sep 24, 2018 — Professor David Bordwell breaks down the stunningly innovative thirteen-minute prologue of Alain Resnais’s debut feature in this excerpt from a program on the Criterion Channel.
In Theaters
Sep 20, 2018 — Travel back to the height of Beatlemania and the swinging sixties with Richard Lester’s infectious rock-movie classic A Hard Day’s Night, screening this weekend at the American Cinematheque.
Sep 19, 2018 — The writer and editor for Artforum, cofounder of October, and professor at NYU was ninety-six.