Jan 22, 2010 Following in the triumphant recent footsteps of Wes Anderson and Spike Jonze, Martin Scorsese is, according to reports in Variety and the Guardian, likely turning to children’s literature for his next movie. And we’re big fans of the source material:...

Jan 19, 2010 A Belgian in New York It was in the 1970s, the first decade of her career, that Belgian filmmaker Chantal Akerman created the works that would define her. Informed as much by her brushes with the experimental film scene in...

Why Che?

Essays

Jan 18, 2010 Steven Soderbergh’s Che depicts the two military campaigns that defined the rise and fall of Ernesto “Che” Guevara, hero of the Cuban Revolution, who became in death a global icon of militant leftism—and of inchoate adolescent rebellion. As the latter,...

Dec 22, 2009 When we released Jim Jarmusch’s films Down by Law and Night on Earth, the supplement Ask Jim, in which he answered questions viewers wrote in about his films, was so popular that we’ve decided to do it again. We are...

Dec 21, 2009 It is with great sadness that we note the passing of Robin Wood, a true lion of film criticism and a dear friend. How does one begin to describe the impact this writer and thinker had on his field? For...

Dec 21, 2009 Me and Orson Welles is the latest film from director Richard Linklater (Slacker, Dazed and Confused). Set in late-1930s New York, it’s both a nuanced, entertaining look at Orson Welles’s early career as founder of the Mercury Theater and a...

Dec 15, 2009 Last Friday, Fumiko, Issa, and I went up to Rochester, New York, to the Eastman House. We have been talking to them about accessing their archive on a more regular basis, starting with the three von Sternberg films that are...

Dec 14, 2009 Almost sixty years ago, George Bernard Shaw died at age ninety-four, leaving behind an unfinished play. Tonight, in New York, that final work from the Pygmalion writer, Why She Would Not, will be presented in a reading by the Gingold...

Dec 9, 2009 Not that he himself wanted to be remembered. Rather, he wanted his work to be remembered. He once wrote: “Take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’” It was as though he thought he did not exist except through...

Dec 6, 2009 Jim Ellis’s insightful new book, Derek Jarman’s Angelic Conversations (University of Minnesota Press), builds from the premise that “Jarman is the mostimportant Anglo-American gay director in the post-Stonewall era, although it is surprising that, to my knowledge, no one has ever...

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