The Criterion Collection
Apr 27, 2017 — Blending irreverent comedy and surreal eroticism, Juzo Itami’s international hit is a utopian look at the peculiarities of gastronomic culture.
Sneak Peeks
Apr 25, 2017 — When it comes to capturing the sensory pleasures of food on film, it’s hard to beat Juzo Itami’s mouthwatering 1985 “ramen western” Tampopo. A mix of wicked humor and surreal eroticism, this culinary odyssey follows a widowed noodle-shop owner and...
Essays
Apr 25, 2017 — After a string of ill-fated productions, Francis Ford Coppola channeled his feelings of self-doubt in this deeply personal take on S. E. Hinton’s beloved novel.
Features
Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.
Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.
Feb 2, 2017 — In her just-released Sundance hit The Lure, Agnieszka Smoczyńska evokes both the decadence and decrepitude of 1980s Poland through the adventures of Silver and Gold, two man-eating mermaid sisters who decide to go terrestrial and soon become a nightclub singing...
Essays
Jan 23, 2017 — In his radical debut feature, Ousmane Sembène reveals the agony of the postcolonial experience through the story of a Senegalese migrant abused by her French employers.
Jan 11, 2017 — A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.
Features
Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.
Criterion Designs
Nov 30, 2016 — The Lone Wolf and Cub film series has its roots in Kazuo Koike and Goseki Kojima’s manga of the same name, which was itself a major influence on Western cartooning and illustration in the 1980s. It felt only natural to...