Two to One

Sep 18, 2017 — The wide-open vistas of Montana are the backdrop for three interlocking stories about women confronting the disappointments of small-town life.

Sep 17, 2017 — The Toronto International Film Festival has a single competitive program, Platform, now in its third year. This year, jurors Chen Kaige, Małgorzata Szumowska, and Wim Wenders have awarded the Toronto Platform Prize (25,000 Canadian dollars) to Warwick Thornton’s Sweet Country,...

Sep 17, 2017 — There’s no getting around the loaded real-world context on this one. For the Daily Beast, Richard Porton begins with the “various accusations about [Louis C.K.’s] supposed sexual misconduct, which have been floating around for years since a 2012 Gawker story...

Sep 14, 2017 — New York. Tomorrow through Wednesday, the Metrograph presents new 35 mm prints of ten features and five shorts as the UCLA Festival of Preservation flies in from the left coast. In the Village Voice, Melissa Anderson previews Howard Alk’s “scalding...

Sep 8, 2017 — “Argentinian first-timer Natalia Garagiola’s Hunting Season, a father-son drama set in the wilds of Patagonia, is the winner of the Venice Film Festival’s Critics’ Week prize,” announces Variety’s Nick Vivarelli. The prize, chosen by the festival audience, goes to a...

Sep 3, 2017 — “With writer-director James Toback, you never know quite what you’re going to get, quality-wise,” writes Glenn Kenny at RogerEbert.com. “What you do know you’re going to get is something very indicative of the personality of James Toback—defiant, searching, self-indulgent, absurdist,...

Sep 1, 2017 — New York. “A film series dedicated to one episode of a television series is—without going overboard—fairly unprecedented,” writes Jeremy Polacek for Hyperallergic, previewing Gotta Light?, the Metrograph series built around Episode 8 of Twin Peaks: The Return, now on through...

Aug 30, 2017 — “Can there be any clearer signal of reality warping as we hurtle toward imminent apocalypse than the fact that Alexander Payne has made a life-affirming film?” asks Jessica Kiang at the Playlist. “Venice opener Downsizing takes the long road getting...

Aug 18, 2017 — In this unsparing drama, Mike Leigh captures the grim mood of Thatcher’s England through the frustrations of a working-class London family.

Aug 17, 2017 — “My first job out of UCLA Film School, at age twenty-two, was directing second unit on The Night of the Hunter for Charles Laughton.” So begins a collection of memories, pre-production sketches, and screenplay pages at the Talkhouse Film from...